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    On-Campus Courses

    Summer Session courses give Colorado College undergraduates the opportunity to catch up, get ahead, or explore a new topic! CC students are given one wild card usage, which will cover the tuition of 1 CC Unit on campus or abroad. 

    Block A

    Block B

    Extended Format

    May 27 - June 19 June 22 - July 15 Special Dates

    On-Campus Financial Aid Application will open December 9th on Summit

    On-Campus course registration will open in December 9th on Banner

    Extended Format 2020

    CH 254: Structures of Organic Molecules - Amy Dounay and Jared Harris
    Basic concepts necessary for understanding chemical reactions. Nomenclature, structure, physical properties and spectroscopy of simple organic molecules. Fundamentals of thermodynamics and reaction kinetics. Laboratory included. Meets the Critical Perspectives: Scientific Investigation of the Natural World requirement.

    Dates: May 27 - June 26, 2020

    Critical Perspectives: Scientific Investigation of the Natural World     

    Program Fee: N/A         Prerequisites: CH 108                 Units: 1.5

    PY 202: Research Design - Kevin Holmes
    Introduction to basic statistics and to research methods in the context of psychological research. Principles of experimental designs and analysis will be taught, especially the use and interpretation of inferential tests. Also included will be psychological topics that rely on correlation and linear regression, and principles of psychological testing. Students design, conduct, and write up their own experiment.

    Dates: May 27 - July 15, 2020 (Blocks A and B)

    Critical Perspectives: Quantitative Reasoning, WD         Program Fee: N/A

    Prerequisites: PY 100 or 101 or 105 or 111                    Units: 2

     

    Block A: May 27 - June 19, 2020

    AS 211: Fiber Arts  -  Jeanne Steiner

    This course will explore both on and off loom fiber art process: weaving on floor looms, dyeing yarns and fabrics, felting wool, and printing methods for cloth.  Students will learn the basic techniques with an emphasis on the exploration of such concepts as transparency, texture, form, pattern, and color.

    Critical Perspectives: N/A                                  Program Fee: N/A

    Prerequisites: 100 Level Art Studio Course          Units: 1

    BE 344: Scanning Electron Microscopy  -  Ronald Hathaway

    Individual instruction on learning to operate a state-of-the-art digital scanning electron microscope.  Delve into the fascinating world of minute detail of biological specimens at magnifications and resolution that will simply amaze you.  Additionally you will learn how the microscope works, fundamentals of electron optics, and digital photography.

    Critical Perspectives: Scientific Investigation of the Natural World                  Program Fee: N/A           Units: 1

    Prerequisites: Sophomore standing and demonstrated interest (through previous coursework) in the natural sciences or COI

    EC 301: Micro Theory II - Oguzhan Batmaz
    An advanced theory of pricing for both the product and factor markets with an emphasis on the economic behavior of: 1.) the individual; 2.) the household; 3.) the firm; and 4.) the industry.

    Critical Perspectives: N/A             Program Fee: N/A

    Prerequisites: EC 201                   Units: 1

    EN 280: Topics in Literature: Mapping Monsters with Digital Humanities Tools - Re Evitt and Jennifer Golightly

    Students in this course will study monster narratives using digital humanities tools to learn how to theorize monstrosity, map monster narratives while contextualizing them culturally and historically, and re-present these narratives visually. During this course, students will read selections from Marie de France’s shape-shifter lais and beast fables along with Shakespeare’s Winter’s Tale, Jane Austen’s Pride and Prejudice, and select 20th/21st century zombie and vampire short fiction along with J. K. Rowling’s beast narratives. Classes will combine critical discussion of literature with mentoring in several foundational digital humanities technologies to encourage students how to visualize narratives and integrate digital humanities data into their critical reading practices.

    Critical Perspectives: N/A         Program Fee: N/A

    Prerequisites: N/A                    Units: 1

    EN 381: Major Authors: Ellison, Baldwin, and Morrison - Michael Sawyer
    This course will explore a selection from each of the canonical African-American writers to common themes, unique ways of addressing them, and particular intellectual preoccupations without losing site of the beauty of these artist's craft.

    Critical Perspectives: Social Inequality       Program Fee: N/A

    Prerequisites: N/A                                     Units: 1

    FG 206/AN 208/RE 200: The Anthropology of Islam in the Modern Middle East and its Diasporas -  Nadia Guessous
    How have anthropologists complicated our understanding of Islam? How have they challenged Orientalist representations of Islam as static, homogeneous, and inherently oppressive? Through richly contextualized ethnographies of Islam in the modern Middle East and its Diasporas, this course seeks: 1) to challenge dominant representations of Islam; 2) to derive critical epistemological and analytical insights from the work of anthropologists who have taken the Islamic tradition seriously on its own diverse and shifting terms; and 3) to parochialize some of our normative assumptions about the self, agency, reason, memory, the body, politics, ethics, tradition, the modern state, and secularism.

    Critical Perspectives: G=         Program Fee: N/A

    Prerequisites: N/A                    Units: 1

    FM 102: Basic Filmmaking  - Maria Govan
    An introduction to the art and craft of making films. This course provides an opportunity to produce a short video worthy of becoming a part of your artistic or professional portfolio. The first two assignments are warm-ups for the final and will give you a chance to get used to the equipment and refine your skills in cinematography, editing, and project planning.

    Critical Perspectives: N/A         Program Fee: N/A

    Prerequisites: N/A                    Units: 1

    HK 125: Human Nutrition  -  Robin Van Helmond

    Students will learn to describe and categorize the functions of macronutrients and micronutrients, and identify sources of each. They will also explore diet and lifestyle factors associated with the risk of various chronic diseases such as heart disease, diabetes and osteoporosis and compare dietary needs for different stages of life. By the end of this course, students will be able to describe the relationship between energy intake, metabolism, physical activity, and weight control translate nutrition science concepts into specific and easy-to-understand dietary recommendations. We will evaluate the scientific relevancy of nutrition messages available on the Internet and other media and apply your knowledge of nutrition, dietary guidelines, and the relationship between diet and health as you assess your own diet and diet-related health risks. Students will also design a daily meal plan for a balanced nutrient intake and specific calorie level.

    Critical Perspectives: Scientific Investigation of the Natural World            

    Program Fee: N/A          Prerequisites: N/A                   Units: 1

    HK 204: Introduction to Human Anatomy  -  Dan Miska

    A lecture and human cadaver-based lab course designed to help students gain an understanding of the fundamental concepts of the structure of the human body. The course will include regional study of the major organ systems. This course is designed to meet the needs of students interested in graduate studies & allied health fields. This course does not involve dissection, but human cadavers that have previously been dissected will serve as learning tools for students, in addition to various anatomical models and digital resources.

    Critical Perspectives: N/A             Program Fee: N/A               Units: 1

    Prerequisites: EITHER 1 unit of Organismal Biology and Ecology 105, 106, or 107, Molecular Biology 131, or Human Biology and Kinesiology 130, or Psychology 297, or consent of instructor. Sophomore standing or higher.

    HY 200: Topics in History: History and Film in Post-WWII Europe and the United States - Jake Smith and Bryan Rommel-Ruiz
    This course mobilizes mass market films to help students think through the intertwined histories of authority and violence in post-WWII-era Europe and the United States. Whether it was postwar Germans attempting to understand the Nazi period or Americans of the early 21st Century seeking to find appropriate ways to memorialize the 9/11 attacks in New York, films served as one of the primary arenas through which large-scale historical events were processed and memorialized in the popular imaginary. Students will emerge from the class not only with a more robust understanding of transatlantic history in the postwar period but also with a set of tools they can use to interrogate mass cultural artifacts as archives of historical meaning.

    Critical Perspectives: N/A            Program Fee: N/A

    Prerequisites: N/A                        Units: 1

    MA 117: Probability and Statistics  -  Stefan Erikson
    An introduction to the ideas of probability, including counting techniques, random variables and distributions. Elementary parametric and non-parametric statistical tests with examples drawn from the social sciences and life sciences. (No credit if taken after any other college-level statistics course.) Not recommended for mathematics majors.

    Critical Perspectives: Scientific Investigation of the Natural World, Quantitative Reasoning

    Prerequisites: N/A                    Program Fee: N/A               Units: 1

    MU 398: Advance Topics: On the Road: American Bluegrass  -  Keith Reed

    This course delves into the role of touring and live performance on the history and development of the American bluegrass tradition. This course will compliment our advanced American Folk Music performance/history course (co-taught by Keith Reed and Ryan Banagale). A small ensemble of students (6) will travel the West, including Ogden Utah Music Festival; Monarch, Montana for a three day music seminar; Grass Valley California Bluegrass Festival; San Francisco, California performance; band competition in Telluride, Colorado; CC for three full days in a recording studio.  Emphasis placed on the process of creation, including authorship, arranging, and presentation. The course culminates in the studio with a recording project.

    Critical Perspectives: N/A            Program Fee: $1,750

    Prerequisites: MU 169                  Units: 1

    PA 250: Introduction to Asian American Studies - Ryan Buyco
    This is an interdisciplinary course that introduces students to the study of Asian and Pacific Islanders in the United States. Drawing from a range of disciplines, such as history, literature, and cultural studies, this course surveys different issues and methods that have emerged from the field of Asian American Studies since its inception in the late 1960s. This course also approaches the study of Asian and Pacific Islanders in the United States as an alternative lens to view US relations in the Asia and Pacific regions. Tentative themes include war and empire, critical refugee studies, settler colonialism, and immigration.

    Critical Perspectives: Social Inequality           Program Fee: N/A

    Prerequisites: N/A                                         Units: 1

    PA 250: Topics in Asian Studies: Elementary Hindi 1  - Nidhi Arya
    The study of basic grammatical structures and patterns with exercises meant to develop proficiency in speaking, listening, reading, and writing presented in a cultural context.

    Critical Perspectives: N/A         Program Fee: N/A

    Prerequisites: N/A                    Units: 1

    PC 133: Astronomy  -  Juan Burciaga

    In this introductory course in astronomy, students will investigate the history of astronomy and the nature, formation, and structure of the stars and universe. Possible topics will include planetary astronomy, stellar astronomy and the nature of the universe.  Much of the course time will be spent at night under the stars or in the laboratory exploring the basis of astronomical knowledge. Laboratory work will include learning to use telescopes, taking photographs of the sky, and using a spectroscope. Students will take at least one extended trip to either the Baca Campus or the Colorado College mountain cabin.

    Critical Perspectives: Scientific Investigation of the Natural World Lab, Quantitative Reasoning            

    Program Fee: N/A               Prerequisites: N/A                          Units: 1

    PS 270: Liberty and Equality  -  Eve Grace & John Grace
    Explores the question whether there is a fundamental justification for democratic rule by analyzing diverse defenses and critiques of the claims that democracy is founded on the truth of human equality and best provides for individual liberty.

    Critical Perspectives: N/A         Program Fee: N/A

    Prerequisites: N/A                    Units: 1

    PY 100: Introduction to Psychology: Basis of Behavior - Patricia Waters
    Examination of psychological phenomena from biobehavioral and sociobehavioral perspectives. Contemporary issues in psychology such as intelligence, development, perception, learning, abnormal behavior, language, and social behavior are explored. Scientific methodology and its application to psychological phenomena are stressed.

    Critical Perspectives: Scientific Investigation of the Natural World Lab     

    Program Fee: N/A              Prerequisites: N/A                    Units: 1

    Block B: June 22 - July 15, 2020

    AS 110: Book Arts and Letterpress  -  Lucy Holtsnider

    This course provides an introduction to designing, printing, and binding artists’ books and related ephemera. The ability of artists’ books to enable the interweaving of technologies that would otherwise be isolated by arbitrary partitions of time or culture will be a point of focus. The course will also include visiting artist talks and a day-long field trip to the Rocky Mountain Land Library in South Park, Colorado.

    Critical Perspectives: N/A           Program Fee: N/A

    Prerequisites: N/A                      Units: 1

    CP 341: Topics in Computer Science: Machine Learning and Misinformation  -  Mathew Whitehead
    In recent years machine learning research has led to the ability to create computer-fabricated photos, videos, and text data that is nearly indistinguishable from authentic data. In this course we will examine how these machine learning models work and how fake data might be algorithmically detected.

    Critical Perspectives: N/A            Program Fee: N/A

    Prerequisites: CP 274, CP 275       Units: 1

    EC 101: Principles of Microeconomics - Mark Smith
    An introduction to the principles of microeconomics with the emphasis on decision-making by households and firms, the way in which individual markets work, the distribution of income, and governmental impact on specific markets.

    Critical Perspectives: Quantitative Reasoning      Program Fee: N/A

    Prerequisites: N/A                                              Units: 1

    EC 371: Money Banking and Financial Markets - Oguzhan Batmaz
    Examines the economic theory and institutions of banking and other forms of financial intermediation and markets that channel savings into investment as well as the economics of financial crises, monetary policy and the government’s interaction with the financial system.

    Critical Perspectives: N/A                       Program Fee: N/A

    Prerequisites: EC 301 and EC 302            Units: 1

    FG 206/ IT 320: Love and Anarchy: Romance, Sex, and Politics in Italian Cinema - Amanda Minervini

    Gender, sexuality, as well as other markers of identity like class, race, and status are the result of cultural, political, and historical constructs. In this class, we will focus on sexual politics, and on sexualized politics, as represented in Italian cinema, in particular by women directors. Some of the larger questions that will be discussed are: How is sexuality politicized? How is politics romanticized? Which are the major factors in the making and unmaking of sexual politics in modern Italian society, and how do films represent such ideas? How has the feminist movement developed, or not, in Italy? Has the so-called “male gaze” been a significantly powerful force, finding its way even in the minds of radical female directors who declare to reject it?

    Critical Perspectives: Social Inequality        Program Fee: N/A

    Prerequisites: N/A                                      Units: 1

    FM 200: Topics in Film History and Genre: Great Movie Thrillers  - George Butte

    This class will introduce students to different kinds of movie thrillers, from the police procedural ("The French Connection") to serial killer films (Lang's "M" and "The Silence of the Lambs") to political thrillers (Frankenheimer's "The Manchurian Candidate"), the heist film (Tarantino's "Reservoir Dogs"), and Hitchcock (maybe "Strangers on a Train"). Great thrillers have important existential themes, about guilt and innocence, identity, gender and sexuality, violence, and the social contract. There will be a significant writing component of the class to develop skills in exploring complex ideas. The class will also provide students with a framework for understanding film as a narrative form and as an art form.

    Critical Perspectives: N/A         Program Fee: N/A

    Prerequisites: N/A                    Units: 1

    FM 210: Topics in Filmmaking: Creative Editing and Post-Production - Meredith Mantik
    Post-production is often viewed as the unsung hero of the filmmaking process. But what else is there to editing other than simply putting a film together? How do sound and music work in the context of building an emotional, cinematic landscape? And just how much can you rely on post-production to “fix it in post”? This course seeks to uncover the mysterious reputation of post-production and examine how editing, sound, and music can determine a film’s success or failure. We will explore fundamentals of the fiction and nonfiction post-production process via numerous short projects, both in groups and individually. The projects will culminate in a screening of the final films. Like filmmaking itself, it is designed to be a collaborative and hands-on experience.

    Critical Perspectives: N/A                        Program Fee: N/A

    Prerequisites: COI/Basic Filmmaking         Units: 1

    GY 140: Physical Geology -  Vikki Crystal
    The fundamentals of physical geology: igneous, metamorphic, and sedimentary rocks; basic mineralogy; structural geology; mapping; and examination of local stratigraphic units.

    This class fulfills the Introductory Geology requirement for Geology majors.

    Critical Perspectives: Scientific Investigation of the Natural World lab or field requirement, Quantitative Reasoning

    Program Fee: $150          Prerequisites: N/A           Units: 1

    HK 255: Advanced Joint Anatomy  -  Dan Miska
    A laboratory based human cadaver dissection course designed to help students gain an advanced understanding of the structure and function of the major articulations (joints) of the human body and develop the skills of cadaver dissection.

    Critical Perspectives: N/A                Program Fee: N/A

    Prerequisites: HK 204                      Units: 1

    MA 126: Calculus 1  -  David Brown
    Differential and integral calculus of algebraic and transcendental functions and applications. Students normally begin the calculus sequence with this course.

    Critical Perspectives: Scientific Investigation of the Natural World, Quantitative Reasoning

    Prerequisites: N/A                    Program Fee: N/A               Units: 1

    MU228 / FG206: Music & Whiteness - Stephanie Doktor
    Robin DiAngelo’s White Fragility (2018)—a New York Times bestseller—recently brought Critical Whiteness Studies into the mainstream. She argued that white people get defensive when confronted with ideas about their own privilege and racial inequality. Yet, black scholar W.E.B. Du Bois theorized about whiteness and models of civilization in 1890. But what attention has been paid to whiteness and cultural production? Together we will examine racial hierarchies and systematic forms of power and privilege as they coalesce around musical formations with a focus on U.S. classical and popular music including blues, rock, hip hop, and pop.

    Critical Perspectives:  Social Inequality         Program Fee: N/A     

    Prerequisites: N/A                                         Units: 1

    PA 250/EV 261/RE 200: Topics in Asian Studies: Buddhism, Society and Ecology  -   Asoka Bandarage

    At the root of contemporary global environmental and social collapse is a world view and a social system based on human domination of nature and of each other. There is now a growing recognition that environmental sustainability and human well-being require a shift from the prevailing system of domination and extremism to a global consciousness and a socioeconomic system based on interdependence and partnership. In this course we examine the contribution that the teachings of the Buddha can make to this global scientific and ethical discourse and the movements for psycho-social transformation.
    This interdisciplinary course draws upon a broad range of fields including global political economy, sociology, philosophy, ecology and Asian Studies. The course will provide an overview of interrelated contemporary crises of climate change, economic inequality and violent conflict; introduce the ethics and basic philosophical concepts of Buddhism, such as, impermanence, interdependence, non-violence and the Middle Path: explore ecological and ‘socially engaged Buddhism’ in Asia; and engage students in the discourse and efforts for personal and collective change.

    Critical Perspectives: Global Cultures, Social Inequality            Program Fee: $90

    Prerequisites: N/A                                                                    Units: 1

    PA 250: Topics in Asian Studies: Elementary Hindi 2  - Nidhi Arya
    This course is designed to build on skills acquired in PA250 Elementary Hindi 1. Students will continue to develop competencies in listening, speaking, reading, and writing about self-generated information related to their daily lives and to life in different foreign cultural settings.

    Critical Perspectives: Foreign Language*                Program Fee: N/A

    Prerequisites: Elementary Hindi 1                   Units: 1

    *Pending Approval

    PH 203: Contesting Climate Justice  -  Marion Hourdequin
    Global climate change and human responses to it will deeply shape economies, cultures, migration patterns, and life prospects for people across the world in the decades and centuries to come. Climate change raises difficult questions of justice and equity: How might the burdens of reducing emissions be fairly shared among nations? Who should pay for adaptation in climate-vulnerable regions? Who should have a say in climate decisions? This course will examine multiple conceptions of fairness, equity, and justice in relation to climate change and explore how calls for justice and fairness are used both to reinforce and to challenge existing power relations, within and among nations.

    Critical Perspectives: N/A         Program Fee: N/A

    Prerequisites: N/A                    Units: 1

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