100

200

CO200/TH224
Contemporary Performance 1950-Present
Platt 

CO200/TH220/
CL219
 The Crisis in Athens: Tragedy, Comedy, and Wealth (taught in Greece) Hughes

CO200/PH262/
PY120
 Discovering the Unconscious
Dobson 

 CO200/TH223/
EN280
 Modern Theatre    1880-1930
Lindblade 

CO200/CL222 Hellenistic Genres: Comedy, Pastoral, Novel
Cramer

CO200/JA252/
FG206/PA250
 Gender and Sexuality in Japanese Literature, Film, and Manga
Ericson 

CO200/PA250 Epics of South  and Southeast          Asia          Clare

CO200/CL220/
FG220
 Myth and Meaning
 Dobson

CO200/FR310 Comic Books and Graphic Novels: From Tin Tin to Maus and Beyond O'Riley

CO200/TH200 Good and Evil Lindblade

CO220/CL219/
TH220
 Origin and Early Forms of Drama
Dobson 

CO200/PS250/
AN208
 Literature of the Warrior
Clare

CO200/EN280/
ES200/SW253
Introduction to Mexican-American Literature
Padilla

CO200/MY228/
GR320/FG206
Romanticism in Music and German Literature
Davis/M. Grace

CO200/TH221/   EN280   Medieval and Renaissance Theatre Lindblade

CO220/PG320/
ES200/FG206
Reading Caribbean Feminisms through the Arts
Wood

CO200/IT320/FS205
 Mafia Movies
Righi

CO200/EN280
Narratives of Identity in Contemporary Caribbean Literature and Film
Garcia

CO200/FM202/
PH203/EN280
Media and Psychoanalysis
Krzych

CO210/EN250
Introduction to Literary Theory
Clare

CO220/PG320/ FG206/ES200
Art in the Making of Brazil
Wood
 

300 / 400

CO300/EN380
 Practice in Comparison: The Novel as Genre
Scheiner 

CO351/EN385/        ES385        Black Writers in  Paris (in Paris)   Garcia

CO351/EN350/        FR316       Pornography in the Age of Enlightenment   Richman/Tallent

CO352/TH329
 Queer Performance and Body Politics
Platt 

CO351/EN380/
ES380/SW308
 Borderlands Theory, Song, and Literature
 Padilla

CO391/EN380
Advanced Literary Theory: Readers and Reception
Sarchett

CO351/FM303/        FS205       Philosophy of Technology in Film and Media   Krzych

 CO431
Senior Thesis
Scheiner

CO352/EN383/PH303  T.S. Eliot and the Philosophy of Poetry  Mason/Furtak