Byzantine
Art AH208
Handout 2
Image File RK208-2
FORMATION OF LATE ANTIQUE STYLE
Case Study:
The Arch of Constantine, c. 315
including sculpture re-cycled from a monument of Trajan, c. 114,
a monument of Hadrian, c. 130,
and a monument of Marcus Aurelius, c. 180
Study the Arch of Constantine. Look at the various reliefs and with the help of the readings and websites sort out which are re-used and which were made for the arch. Think about the implications of their combination, both in style and subject matter. We will discuss these in class.
Compare the reliefs from the Ara Pacis Augustae, 13 b.c.
Other comparisons: Augustus of Primaporta, c. 20 b.c.
Porphyry Emperors from
San Marco traditionally identified with the Tetrarchs and dated c. 305;
more recently Mathews and others have identified them with the sons of Constantine
and dated them to 325-330.
Compare and contrast the Alexander Mosaic from Pompeii (copied from a Greek Hellenistic original) with floor mosaics from the early 4th century. What are the differences in artistic means? what effects are produced in each case?
Mosaics from Piazza Armerina,
great hunt, early 4th century
Alexander Mosaic,Pompeii, Roman copy of a Greek Hellenistic original probably
by Philoxenos, c. 300 b.c.
FORMATION OF CHRISTIAN IMAGERY
Hagios Georgios, Thessalonika,
c. 300 (building); c. 500 mosaic decorations
One building spans the transition from imperial Roman pagan mausoleum to Christian
church.
The Art of Dura Europos
Dura Europos was a small
city on the eastern frontier of the Roman Empire. When great earthen fortifications
were constructed in 256 a.d. several religious buildings were buried. They were
excavated in the 1930's and include a Mithraeum, a synagogue with elaborate
painted decorations, and the earliest surviving Christian church. Art was used
in sanctuaries at Dura Europos: the Mithraeum, the Synagogue, the Christian
Baptistery, as well as others. How are the images arranged within the architecture?
What sort of images are used--narrative, symbolic, images of deities?
Synagogue from Dura Europos, before 256, 1st half 3rd century
Christian Baptistery from Dura Europos, before 256,
Christian Art in Rome
Early Christian art survives in the catacombs (underground cemeteries) along
the roads leading out of the city. These paintings are scattered on the walls
around the tombs. They include allegories like the vine, good shepherd and abbreviated
representations of scenes from the Old and New Testament.
Catacomb of Priscilla,
3rd century; Good Shepherd
Catacomb of San Callisto, late 3rd century
Tomb of the Julii beneath St. Peter's late 3rd, early 4th century
Catacomb of Via Latina, c. 350-400
Other Examples: Jonah Sarcophagus, late 3rd century
Marble figurines, Cleveland Museum, 2nd half 3rd century
How do these sculptures relate to the Second Commandment? "Thou shalt make no
graven image?"
Dogmatic Sarcophagus, c. 325-50
Sarcophagus of Junius Bassus, d. 359
Evolved Christian decorative programs (only partially preserved.)
Santa Costanza, c. 350
Santa Maria Maggiore, mosaics 432-40
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